. The same light you see in street lamps. From the whimsical and fun story to the colorful animation sequences, the almost 60 year old film is a classic. There were four books in the original series: "Mary Poppins," "Mary Poppins Comes Back," "Mary Poppins Opens the Door," and "Mary Poppins in the Park. Karen Dotrice, played Jane Banks. An actor is filmed performing in front of a white screen that is lit with powerful sodium vapor lights. Beating out Audrey Hepburn's "My Fair Lady" (1964), "Mary Poppins" was the highest-grossing film of 1964 with over $102 million earned in the US and Canada, according to IMDb. Mary Poppins Returns film location: Jack sits atop the gate: Devereux Court, Middle Temple, London EC4 Having to make their own way home on foot, Mary and the kids end up lost in the fog and the dark. [26], Andrews also provided the voice in two other sections of the film: during "A Spoonful of Sugar," she provided the whistling harmony for the robin, and she was also one of the Pearly singers during "Supercalifragilisticexpialidocious." To children, Mary Poppins is a film full of whimsical delights. Julie Andrews Stars as Famous Nanny. [30] In a 2003 poll by Empire magazine of the worst film accents of all time, he came in second. During this time, women began playing a role in politics for the first time, with some even entering the workforce. Mary Poppins. Top editors give you the stories you want delivered right to your inbox each weekday. Dick Van Dyke returned to portray Mr. Dawes Jr. Karen Dotrice also appeared in a cameo role. It's easy to overlook the grim setting when you're a kid, but as an adult, you realize that the London the Banks family lives in is actually pretty dismal. "The best moment came when I first heard Julie Andrews singing 'A Spoonful of Sugar.' [61], Mary Poppins is widely considered Walt Disney's "crowning achievement". Together, they sing ("Jolly Holiday"), and Bert flirts with Mary Poppins. Chloe Stefani '24, Fashion EditorJanuary 7, 2021. As an avid Disney and fashion history fan, its no surprise that I love the studios period films. Dick Van Dyke played two characters in the original film, and he had a small role in the sequel. The Banks childrenJane, Michael, and the twins, John and Barbaralive at 17 . The next day, the three meet Bert's odd Uncle Albert, who has floated up in the air because of his uncontrollable laughter and they join him for a tea party on the ceiling with lots of jokes ("I Love to Laugh"). But utmost sophistication (the chimney pot sequence crisply cut by Oscared "Cotton" Warburton) and high-level invention (a tea party on the ceiling, a staircase of black smoke to the city's top) characterized its handling. [25] Disney considered the actor Stanley Holloway for the role of Admiral Boom, during the pre-production stage, but the role went to Reginald Owen instead due to Holloway's commitment to My Fair Lady. On December 14, 2004, it had a 2-disc DVD release in a Digitally Restored 40th Anniversary Edition as well as its final issue in the VHS format. Then voila! This is the blue screen, developed by Lawrence Butler and it looks and works similar to the green screen we use today. Mr. Banks then gets a phone call from the bank requesting a meeting with him about what the children did. In addition to his leading role as Bert, the jovial chimney sweep, Dick Van Dyke appeared in the film as Mr. Dawes Sr. under the acting credit "Navckid Keyd.". Especially for one particular sequence, where live-action footage merges with Disney's classic hand-drawn animations for over 16 minutes. Dick Van Dyke is an American actor and comedian whose career took off after starring in 'The Dick Van Dyke Show.' Some of his most endearing film roles were in 'Mary Poppins,' 'Chitty, Chitty . (The movie suggests that this demand had to do with seeing her father. [42], The film received universal acclaim from film critics. The three and Mary Poppins venture onto the rooftops, where they have a song-and-dance number with other chimney sweeps, which spills out into the Banks' home ("Step in Time") after their neighbor Admiral Boom shoots cartoon fireworks at them, mistaking them for robbers and calling them "cheeky devils". For example, Dick Van Dyke could wear this blue bow tie and socks, and because sodium gas emits a very specific hue of yellow, he was also able to wear a blazer with yellow stripes. Thematic clusters focus on aesthetic and technological parallels, including fashion and identity, abstraction and experiment, politics, exoticism, and travel. She concluded that "With a little more restraint and a little less improvement on the original, the film's many charms would have been that much better."[48]. A very slim petticoat would be worn over this, and then a narrow skirt would be put on last. [29] Although he is fondly remembered for this film, Van Dyke's attempt at a Cockney accent is regarded as one of the worst film accents in history, cited as an example by actors since as something that they wish to avoid. The Edwardian era, spanning from 1901 to 1910, marked the end of the Victorian era and the beginning of the first world war. After . Although PL Travers, the author of the books, lived in London - you can find a blue plaque outside her former home at 50 Smith Street in Chelsea - the 1964 Mary Poppins was filmed entirely in the Walt Disney Studios in Burbank, California. Timeline of Historical Film Colors byBarbara Flueckiger is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. From the whimsical and fun story to the colorful animation sequences, the almost 60 year old film is a classic. 'Enthralling . [51], The film earned $31million in theatrical rentals in the United States and Canada during its initial run. comment. Color: Black. As I said before, the silhouette of her dress is clearly 1960s inspired, because of its. That was hard because, although we had worked for almost a month and a half with the brooms and everything, wed been working on a plywood floor. ", Other books and short stories were added to the series later on, including a cookbook called "Mary Poppins in the Kitchen.". So where did they go wrong? Feathers, flowers, and even taxidermy birds were popular hat toppings for women during this time, says fashion historian Bernadette Banner. We are now in stage 3 and are looking for additional funding by private sponsors. To achieve the effect, the actors would stand in front of a white screen lit by a yellow hue from sodium vapor lights, hence its name, the sodium vapor process. With all of the social change came change in fashions as well. Since February 2016 the database has been redevelopedin the framework of the research project Film Colors. Technicolor No. The character was added in the movie, and Van Dyke's fun portrayal of the role has become iconic. [39] Irwin Kostal arranged and conducted the film's score. That evening, Mary sings to the children a hymn-like lullaby[11] about the woman who sits on the steps of the St. Paul's Cathedral selling bird food ("Feed The Birds"). Buena Vista Records released the original motion picture soundtrack in 1964 on LP and reel-to-reel tape. [73] It was the only film of Disney's to garner a Best Picture nomination at the Oscars in his lifetime. The film concerns a magical London nanny (played by Andrews) who mysteriously appears at a troubled household to . At the time, Andrews was playing Guenevere in the musical. Mary Poppins is considered Walt Disney's crowning live-action achievement and is the only one of his films which earned a Best Picture nomination during his lifetime. This simplified the process of creating a more accurate matte, the silhouette image that's vital to the process. an . As Barbara Burman said, Home dressmaking was sustained as an important aid for women negotiating wider social shifts and tensions in their lives. Throughout all of the fashionable changes during this time, the character of Mary Poppins falls in the upper middle class, so we will be focusing primarily on upper class fashions. Afterward, Mr. Banks becomes annoyed by the household's cheery atmosphere and threatens to fire Mary Poppins, but she persuades him to take the children to his workplace the next day. Buena Vista Distribution and Eugene Gologursky/Getty Images, offered Andrews one of her most iconic roles, Rob Marshall, the director of "Mary Poppins Returns,", There were so many retakes of the Supercalifragilistic scene, I spent two and a half years writing 34 songs, THEN AND NOW: The cast of the original 'Mary Poppins', 6 characters from the original film that appear in 'Mary Poppins Returns', 19 things you probably didn't know about 'The Princess Diaries', Every Disney movie remake so far, ranked by audiences, "Mary Poppins" (1964) came out 57 years ago, and the. He did this by creating a unique prism that was designed to isolate the 589 nanometer hue from the rest of the colors. A happier Mr. Banks is found at home, having fixed his children's kite, and takes the family out to fly it. Mary Poppins is a 1964 American musical fantasy film directed by Robert Stevenson and produced by Walt Disney, with songs written and composed by the Sherman Brothers. Mary Poppins (1964) - Turner Classic Movies Mary Poppins Brief Synopsis Read More Two banker's children lose their nanny due to her frustration with them. That was really hard. James Logan as a doorman who chases after the children in the bank. Taking it upon himself to hire a new nanny, Mr. Banks advertises for a stern, no-nonsense nanny. "[33], Filming took place between May and September 1963, and post-production and animation took another eleven months. [6], The film was the twentieth most popular sound film of the twentieth century in the UK with admissions of 14 million. It was the top-grossing film of 1964, with around $31 million, and the profits helped finance the construction of Walt Disney World in Florida. Next, lets move onto her hat. During this time, women began playing a role in politics for the first time, with some even entering the workforce. Its important to note that decades of womens fashion are defined by the silhouettes of the dresses they wore during that period. In this regard, both media institutionalized numerous techniques such as hand and stencil coloring as well as printing and halftone processes. Descubre estas pginas para colorear inspiradas en el personaje de Disney Mary Poppins! The first novel in the Mary Poppins series was the film's main basis. Mary Poppins (1964) Technical Specifications. ", According to the actress, she was up in a harness after filming the stunt when she felt a rope slip before she "plummeted to the stage.". National Film Board of Canada. Some profits from this movie were taken to help fund the Disney World Monorail system. We have no doubt it will be 'supercalifragilisticexpialidocious'. Suffragettes began to adopt some male attire as they fought for the right to vote (Mrs. Banks is wearing something like this in the film, as she is actually portrayed as a Suffragette), and most middle class women even began making their own clothing with the new availability of sewing machine technology. It was also that year's winner for Best Visual Effects. Were going to review the look most popularly associated with this character and break down the elements that the costume designer got right and wrong when designing these historically accurate costumes. I would say, for the most part, yes they are. And if the lighting wasn't perfect, it would end in these blue halos that you see around the actors. Contributions to theTimeline of Historical Film Colors, It would not have been possible to collect all the data and the corresponding images without the support from many individuals and institutions.Thank you so much for your contribution, I am very grateful. In the park, the Banks family meets Mr. Dawes' son, Mr. Dawes Jr., who reveals his father died laughing from the joke ("Let's Go Fly a Kite"). I would like to start by making it clear that this article is in no way meant to discredit the costume designer of the film. So where did they go wrong? Before we dive into Mary Poppins clothing, we need to establish a time period and setting to investigate whether her look is accurate or not. By clicking Sign up, you agree to receive marketing emails from Insider In March 1961, Disney announced that it might cast Hayley Mills and Mary Martin in the film. Rob Marshall directed, while John DeLuca and Marc Platt served as producers, with Emily Blunt starring as Poppins, co-starring Broadway actor Lin-Manuel Miranda. After winning the role of Bert, Van Dyke lobbied to also play the senior Mr. Dawes, but Disney originally felt he was too young for the part. [18][19][20] Their relationship during the development of the film was also dramatized in the 2013 Disney film Saving Mr. Banks. Home dressmaking was sustained as an important aid for women negotiating wider social shifts and tensions in their lives. Throughout all of the fashionable changes during this time, the character of Mary Poppins falls in the upper middle class, so we will be focusing primarily on upper class fashions. [5] Andrews later beat Hepburn for the Best Actress Award at the Golden Globes for their respective roles. But speaking as a grownup, I found a little bit went a long way." . You need to look no further than this veil that Julie Andrews is wearing to see how impressive this technology really was. A chief executive of BAFTA responded, "We look forward to his acceptance speech in whatever accent he chooses on the night. Hats in the Edwardian period for women in the upper middle class were often wide-brimmed like the one Mary is wearing, but were adorned with much more decoration. that appear on this web page are protected by copyright! ("Perfect Nanny") Winifred (who strongly agrees with the children) tries to keep the peace. Nixon later provided the singing voice for Hepburn in My Fair Lady and played one of Andrews' fellow nuns in The Sound of Music. But there's something else that's often overlooked about this film. George Mlis, one of the first pioneers in visual effects used a technique known as double exposure mattes to achieve this feat over a hundred years ago. Mary Poppins, the first novel in a series of children's books written by P.L. Runtime : 2 hr 19 min (139 min) . Lets get a round of applause for this attention to detail. The isolated subjects would then be placed on top of a pre-shot background known as a plate to create a single seamless image. Please ask for permission if you would like to use them. ): Timeline of Historical Film Colors. Each sponsor receives a credit on the acknowledgement page: http://zauberklang.ch/acknowledgements.html. The biography is the basis for two documentaries on Travers: The Real Mary Poppins and Lisa Matthews' The Shadow of Mary Poppins. And that red corset-like waist cincher has no place being there either, as it gives an hourglass figure to her silhouette rather than an S shaped one. Many further persons and institutions have supported the project, see acknowledgements. [17] She objected to a number of elements that made it into the film. Many graphics, photographs, and text portions The development of the project started in fall 2011 with stage 1. The film, which combines live-action and animation, stars Julie Andrews in her feature film debut as Mary Poppins, who visits a dysfunctional family in London and employs her unique brand of lifestyle to improve the family's dynamic. In June 2015, the European Research Council awarded the prestigious Advanced Grant to Barbara Flueckiger for her new research project FilmColors. Mr. Banks walks through London to the bank, where he is given a humiliating cashiering and is dismissed. Furthermore, in his review, he remarked that "For the visual and aural felicities they have added to this sparkling color filmthe enchantments of a beautiful production, some deliciously animated sequences, some exciting and nimble dancing and a spinning musical scoremake it the nicest entertainment that has opened at the Music Hall this year. An extensive image section illustrates the texts and color systems and continues the aesthetic experience of the various processes and objects in book form. We also have to keep in mind that this dress is pure fantasy, and is one of the only inaccurate pieces in the film. This is the start of what we now commonly know as chroma key. David Tomlinson, who played Mr. Banks, was also the voice of Mary Poppins' talking umbrella, according to Brothers' Ink Productions. In 1998, this film became Disney's first feature film released on DVD. Speaking of awards "Mary Poppins" cleaned up during the 1965 Academy Awards. The dress she is wearing has the new look silhouette, popularized by Christian Dior in 1947, and lasting in fashion until the mid 1960s. There was an issue, however. The Edwardian period in history was a time of strict social constructs, elegance, and sophistication, and the modesty and shape wear definitely reflect that in the fashions. Over 100 glass and matte paintings were used to create the London skyline of 1910. But instead of hiring a special effects artist for the job, Disney instead asked for help from the engineer and inventor Petro Vlahos. After receiving the polio vaccine, Robert Sherman's son told his father he was given a lump of sugar on a spoon. The 1910s were a decade known for its sophistication and elegance under the rule of King Edward VII, so the silhouette included a cinched S shaped waist, a full bust, and a long narrow skirt. Fully aware of its limitations, he sought for another color to replace it. (= https://filmcolors.org/).Download BibTex, Barbara Flueckiger, Eva Hielscher, Nadine Wietlisbach (eds. As Mr. Banks says during one of his songs, the film takes place in 1910 in England, towards the end of the Edwardian era. Although she had appeared in TV movies and on shows, and she voiced a character in an animated film, "Mary Poppins" was Andrews' first major live-action movie. Pre-production and song composition took about two years. He did it by putting a glass panel in front of the camera and painting black marks over specific sections to block the light. Mary Poppins, American musical film, released in 1964, that features the now-iconic screen debut of Julie Andrews. MA Josephine Diecke, PhD Candidate, [emailprotected]. Color Mania contains a general introduction to color in film and photography (technique, materiality, aesthetics) as well as a series of short essays that take a closer look at specific aspects. She meets the children and helps them magically tidy their nursery by snapping her fingers, before heading out for a walk in the park ("Spoonful of Sugar"). The letters unscramble themselves during the end credits to reveal the actor's real name. On October 4, 1988, it was re-released as part of Walt Disney Home Video. 17, Cherry Tree Lane in London, to the delight of their young children, Jane and Michael. The pompadour was an updo with. Up until then, isolating a material as fine as a veil was deemed impossible until Vlahos' new invention. If you want more information on this specific topic, I highly recommend watching Glamours video series titled Fashion Expert Fact Checks on YouTube, featuring fashion historians Bernadette Banner and Raissa Bretana, as I got a lot of information from them, along with the article on tudorlinks.com titled Fashion in the Edwardian Era. And all of a sudden, we get out and were on a cobblestone street and theres supposed to be four of us tumbling right next to each other, and you put the broom down. Mary Poppins Was Filmed Entirely At The Walt Disney Studios Despite the entire film being set in London, Mary Poppins was filmed at the Walt Disney Studios in Burbank, California and used painted set design in the background to make it look like the English capital. Starring as Jane and Michael Banks in "Mary Poppins" was not the first or last time Karen Dotrice and Matthew Garber worked together. However, Travers refused; she did not believe a film version of her books would do justice to her creation. However, due to contract stipulations citing that he had final cut privilege on the finished print, Disney overruled her. "[28], Disney cast Dick Van Dyke in the main supporting role of Bert after seeing his work on The Dick Van Dyke Show. The Sherman Brothers composed the music score and were also involved in the film's development, suggesting the setting be changed from the 1930s to the Edwardian era. Photographs of the Technicolor V dye-transfer safety print by Jolle Kost, ERC Advanced Grant FilmColors. While the children ride on a carousel, Mary Poppins and Bert go on a leisurely stroll. [38], The film's music features music and lyrics by Richard M. Sherman and Robert B. Sherman. [37] Walt Disney attended the rehearsals for the rooftop scenes every day. So, are the costumes in Mary Poppins historically accurate? After the duo meets up with the children, Mary Poppins enchants the carousel horses; Bert rescues a fox from a fox hunt; they take part in a horse race which Mary wins. The pompadour was an updo with lots of volume and fluffiness. "Mary Poppins" (1964) came out 57 years ago, and the long-awaited sequel was released in 2018. The film was shot entirely at the Walt Disney Studios in Burbank, California, using painted London background scenes. The color of the stockings for daytime affairs would most likely be white rather than black, and as we can see the . Before we dive into Mary Poppins clothing, we need to establish a time period and setting to investigate whether her look is accurate or not. Technologies, Cultures, Institutions funded by a grant from Swiss National Science Foundation. The dress she is wearing has the new look silhouette, popularized by Christian Dior in 1947, and lasting in fashion until the mid 1960s. The dress bodice, though frilly, is much too tight for this time period, because sleeves were rather loose during this era in fashion. Mr. Dawes mulls over the joke and, finally understanding it, floats up into the air, laughing. [8], A biographical drama on the making of the film, Saving Mr. Banks, was released on October 20, 2013. I really want her to take this and run with it, because she will be brilliant. From the whimsical and fun story to the colorful animation sequences, the almost 60 year old film is a classic. Find many great new & used options and get the best deals for P. L. Travers MARY POPPINS AND MARY POPPINS COMES BACK at the best online prices at eBay! The Material of Color in Photography and Film, Department of Film Studies, University of Zurich, crowdfunding campaign Database of Historical Film Colors, contact the author immediately and directly, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, http://zauberklang.ch/acknowledgements.html, Prof. Dr. David Rodowick, Chair, Harvard University, Department of Visual and Environmental Studies, Prof. Dr. Margrit Trhler, Department of Film Studies, University of Zurich, Prof. Dr. Jrg Schweinitz, Department of Film Studies, University of Zurich, Prof. Dr. Christine N. Brinckmann, Department of Film Studies, University of Zurich, PD Dr. Franziska Heller, Department of Film Studies, University of Zurich, Dr. Claudy Op den Kamp, Department of Film Studies, University of Zurich, Prof. Anton Rey, Institute for the Performing Arts and Film, Zurich University of the Arts, Dr. Haden Guest, Director, Harvard Film Archive, Liz Coffey, Film Conservator, Harvard Film Archive, Mark Johnson, Loan Officer, Harvard Film Archive, Brittany Gravely, Publicist, Harvard Film Archive, Clayton Scoble, Manager of the Digital Imaging Lab & Photography Studio, Harvard University, Stephen Jennings, Photographer, Harvard University, Fine Arts Library, Dr. Paolo Cherchi Usai, Senior Curator, George Eastman Museum, Motion Picture Department, Jared Case, Head of Cataloging and Access, George Eastman Museum, Motion Picture Department, Nancy Kauffman, Archivist Stills, Posters and Paper Collections, George Eastman Museum, Motion Picture Department, Deborah Stoiber, Collection Manager, George Eastman Museum, Motion Picture Department, Barbara Puorro Galasso, Photographer, George Eastman House, International Museum of Photography and Film, Daniela Curr, Preservation Officer, George Eastman House, Motion Picture Department, James Layton, Manager, Celeste Bartos Film Preservation Center, Department of Film, The Museum of Modern Art, Mike Pogorzelski, Archive Director, Academy Film Archive, Josef Lindner, Preservation Officer, Academy Film Archive, Cassie Blake, Public Access Coordinator, Academy Film Archive, Melissa Levesque, Nitrate Curator, Academy Film Archive, Prof. Dr. Giovanna Fossati, Head Curator, EYE Film Institute, Amsterdam, and Professor at the University of Amsterdam, Annike Kross, Film Restorer, EYE Film Institute, Amsterdam, Elif Rongen-Kaynaki, Curator Silent Film, EYE Film Institute, Amsterdam, Catherine Cormon, EYE Film Institute, Amsterdam, Anke Wilkening, Friedrich Wilhelm Murnau Foundation, Wiesbaden, Germany, Marianna De Sanctis, LImmagine Ritrovata, Bologna, Paola Ferrari, LImmagine Ritrovata, Bologna, Gert and Ingrid Koshofer, Gert Koshofer Collection, Bergisch Gladbach, Germany, Memoriav, Verein zur Erhaltung des audiovisuellen Kulturgutes der Schweiz, David Landolf, Director, Lichtspiel / Kinemathek Bern, Brigitte Paulowitz, Head Archivist and Restorer, Lichtspiel / Kinemathek Bern, Margaret Bodde, Executive Director, The Film Foundation, Michael Champlin, DeBergerac Productions, Inc. Rochester, NY, Joakim Reuteler, Digital Humanities Lab, University of Basel, Prof. Dr. Rudolf Gschwind, Director, Imaging and Media Lab, University of Basel, Erwin Zbinden, Researcher, University of Basel, George Willeman, Nitrate Film Vault Manager, Library of Congress, Lynanne Schweighofer, Safety Film Vault Manager,Library of Congress, David Pierce, Library of Congress, Assistant Chief, Library of Congress, Kieron Webb, Technical Projects Officer, British Film Institute, Bryony Dixon, Silent Film Curator, British Film Institute, Dr. Jan-Christopher Horak, Director, UCLA Film & Television Archive, Todd Wiener, Motion Picture Archivist, UCLA Film & Television Archive, Dr. Cline Ruivo, Director Film Collections, Cinmathque Franaise, Dr. Iris Deniozou, Archivist, Cinmathque Franaise, Nicola Mazzanti, Associate Director, Royal Film Archive of Belgium, Laurent Mannoni, Directeur scientifique du patrimoine et du Conservatoire des techniques, Cinmathque franaise, Franois Ede, Researcher and Film Restorer, Andrea Meneghelli, Cineteca di Bologna, Archivio Film, Alessandra Bani, Cineteca di Bologna, Archivio Fotografico, Hege Stensrud Hsien, Director, National Library of Norway, Dr. Eirik Frisvold Hanssen, Head of Film and Broadcasting Section, National Library of Norway, Tina Anckarmann, Film Archivist, National Library of Norway, Prof. Martin Koerber, Leiter der Abteilung Film, Deutsche Kinemathek, Brian Pritchard, Motion Picture and Film Archive Consultant, Bertrand Lavdrine, Centre de Recherche sur la Conservation des Collections Paris, Mikko Kuutti, Deputy Director, Kansallinen audiovisuaalinen arkisto / National Audiovisual Archive, Finland, Juha Kindberg, Film Collection, Kansallinen audiovisuaalinen arkisto / National Audiovisual Archive, Finland, Dr Kelley Wilder, Senior Research Fellow, De Montfort University, Michael Harvey, Curator of Cinematography, National Media Museum, Bradford, Ruth Kitchin, Collections Assistant, National Media Museum, Bradford, Kathryn Gronsbell, Moving Image Archiving & Preservation, NYU, Gisela Harich-Hamburger, Photo Conservator, Dr Luke McKernan, Lead Curator, Moving Image, The British Library, Dr Michael Pritchard FRPS, FBIPP, Director-General, The Royal Photographic Society, John Falconer, Lead Curator Visual Arts, Curator of Photographs, The British Library, Dr. Anna Batistov, Nrodn filmov archiv / National Film Archive, Prague, Lenka astn, Nrodn filmov archiv / National Film Archive, Prague, Toni Booth, Curator, National Science and Media Museum, Bradford, Sylvie Pnichon, Conservator of Photographs, Amon Carter Museum of American Art, Gawain Weaver, Photograph Conservator, Gawain Weaver Art Conservation, San Anselmo, CA, Phil Rutter, Hon Treasurer & Secretary, British Kinematograph, Sound & Television Society, Manuel Joller, coordinator data management, Barbara Fritzsche, support data management, Andreas Bhlmann, support data management, Michelle Beutler, support data management, Sabrina Zger, coordinator data management, Valentina Romero, support data management, Meredith Stadler, support data management, Hannes and Esther Bernhardt, grand supporters, Marianne Flckiger Bsch and Bernhard Bsch, major supporters, Dariush Daftarian and Viola Lutz, supporters, Joanne Bernardi, Associate Professor, University of Rochester.
Greek Villa Walls With Pure White Trim, Articles W